![]() The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price ![]() Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Read More Description Read Less DescriptionĮvery bid submitted is treated as a maximum bid. In 1999, in collaboration with his wife Jenny Holzer, he completed a permanent memorial sculpture for the City of Leipzig, Germany and in 2004, Americans for the Arts selected his wall drawing Town Green as one of the best public art works of the year. In 1996 he was awarded a Guggenheim Fellowship in painting. Mike Glier’s work has been exhibited extensively at institutions such as MoMA, San Diego Museum of Art, Pennsylvania Academy of the Fine Arts, Cincinnati Contemporary Art Center, Wexner Center in Columbus, OH and Mass MoCA in North Adams, MA. variables promoted or eliminated, sometimes deliberately and sometimes by chance, in order to satisfy the demands of a particular but ever-shifting environment, in this case a picture.” Glier has likened his painting approach to nature’s evolution–“I experience the process of making these pictures as deep immersion in the principles of organic change, i.e. John, US Virgin Islands, and the urban environment of New York City. ![]() The works from Along a Long Line derive from a trip along the 70th longitude where he painted in five distinct ecologies: the polar desert of Baffin Island, Canada, the rainforest of Jatun Sacha, Ecuador, the subtropics of St. Latitude is a series of paintings made in one place over time to study the change of color, light, and motif as the earth tilts on its access. In the series Antipodes, Glier paints outdoors on opposite points of the globe–Botswana and its antipode Hawaii, New Zealand and Spain. Since 2009, the artist has focused on plein air painting. Through a process that is both objective and improvisational, he uses brushes, knives and rags on aluminum to make marks based on motifs, rhythms, and scale relations, continually turning his panel to disrupt the conventions of representational space. Mike Glier’s pictures fit into a long tradition of landscape painting but instead of expressing the majesty of God or Manifest Destiny, his aim is environmentalist–“to visualize the earth as a shared space, sectioned by scientific measure rather than political boundaries,” as he has said.
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